Videographer & Editor — New York City

Erika
Pratt

Crafting stories frame by frame — from documentary series and indie features to short-form content that travels.

View Work

Selected Projects

Films, documentaries, and content created across Mississippi, New York, and Sydney.

Editor & Colorist

"The Same as You Left It"

Student Film · Oxford, MS · 2026

Led the editing team through non-linear restructuring and color grading in DaVinci Resolve, working closely with the director to shape the film's final visual identity.

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Videographer

"Season Ticket"

Documentary Series · Oxford, MS · 2024

Four-month documentary shoot capturing SEC football culture. Filmed interviews with the Mayor of Oxford and local business owners using Blackmagic with DJI gimbal stabilization.

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Assistant Editor / DIT

"Michael's AirBnB"

Short Film · Oxford, MS · 2024

Managed data wrangling for 6K+ resolution footage, built LUTs and proxies for the editorial pipeline, and cut post-production by five days through on-set assembly cuts.

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Content Producer

Bambuddha Group

Brand Content · Sydney, NSW · 2025

Produced podcast episodes for Straight to the Source and created short-form video content and advertisements for the brand's website and Instagram using DaVinci Resolve.

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Producer

"Duhkha Glasses"

Student Film · Oxford, MS · 2025–2026

Produced an independent student feature, overseeing a $4.5K budget, scheduling, location scouting, and on-set safety across a multi-month shoot.

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Assistant Sound Mixer

"My Best Friend's Killer"

Indie Feature · Hernando, MS · 2026

On-set sound work using Zoom F3 and Sennheiser 416 across a seven-actor production, managing RF interference and ensuring broadcast-quality audio capture.

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Telling stories that outlast the frame.

I'm a New York–based videographer and editor with a BFA in Film Production from the University of Mississippi. My work spans documentary, narrative short, branded content, and everything in between.

I'm drawn to projects where the visual language has something specific to say — where color, pacing, and camera movement aren't afterthoughts but the story itself.

Whether I'm on-set operating a Blackmagic Ursa in the Mississippi heat or in the edit suite shaping a sequence in DaVinci Resolve, I care about the same thing: does it feel true?

University of Mississippi

BFA — Film Production · Oxford, MS

Award for Excellence in Producing · Ruby Simpson Shelton Memorial Scholarship · Chancellor's Honor Roll

Software

DaVinci Resolve Adobe Premiere Pro Blackmagic Pro Tools Canva

Cameras

Blackmagic Ursa 12K Blackmagic Pocket 6K Sony a7S III / IV Panasonic Lumix GH5 Canon 7D

Audio

Zoom F8n Zoom F3 Sound Devices MixPre 6 Sennheiser 416 Rode Wireless

Lighting

Aperture Nova P300c

Disciplines

Cinematography Editing Color Grading DIT Producing Sound Short-Form Content

Get in Touch

Let's make something.

Available for freelance projects, collaborations, and full-time roles.